2022-Panasonic Lumix DC-GH6 review: Digital Photography Review

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The Panasonic Lumix DC-GH6 is the newest in a line of high-end Micro 4 Thirds cameras aimed toward video shooters. The GH6 can shoot an unlimited vary of 4K-focused video modes, together with slow-motion from 120 fps seize, full-sensor ‘open gate’/anamorphic capturing, and seize in {industry} commonplace codecs equivalent to ProRes 422 and 422HQ.

The GH6 is constructed round a sensor with parallel excessive and low-gain readouts to ship a ‘Dynamic Vary Increase’ mode that Panasonic says delivers greater than 13 stops of dynamic vary at increased ISO settings. It turns into the primary GH digicam to make use of the complete VariCam V-Log profile.

Key specs

  • 25MP CMOS sensor with parallel readouts
  • Constructed-in fan for limitless recording
  • UHD or DCI 4K in 10-bit 4:2:2 at as much as 60p
  • Gradual-mo UHD or DCI 4K in 10-bit 4:2:0 at as much as 120 fps
  • 5.7K full-width seize at as much as 60p
  • 5.8K Full-sensor ‘open gate’/anamorphic seize at as much as 30p
  • Full V-Log/V-Gamut capturing
  • Vary of seize codecs together with ProRes 422 and 422 HQ
  • 1 x CFexpress Kind B, 1 x UHS-II SD slot
  • Stabilization rated to 7.5EV, maintained at longer focal lengths with Twin IS 2 lenses
  • Tilt-and-articulating display screen from S1H
  • Full-sized Kind A HDMI socket
  • 14 fps capturing with AF-S, 8 with AF-C (75 fps with e-shutter)

Promised through future firmware:

  • Direct recording to SSD over USB
  • HDMI interface to v2.1 commonplace
  • 4K/120 over HDMI with reside view and 4K/120 Uncooked stream over HDMI

The Panasonic Lumix DC-GH6 comes at a really helpful value of $2199. It is a $200 enhance, in contrast with the GH5’s unique value in March 2017 however $200 cheaper than the GH5S was, at launch.



What’s new

Sensor

The GH6 relies round a totally new sensor: the very best decision chip we have but seen within the 4 Thirds sensor dimension. Panasonic is being distinctly tight-lipped concerning the fabrication course of, which strongly suggests the digicam is not utilizing the Stacked CMOS expertise that is underpinned the newest technology of high-end cameras. Though we do not have absolute affirmation, we predict it is extraordinarily probably to be a BSI design.

It is a quick sensor, although, with our readout pace exams suggesting rolling shutter is not going to be a priority. There’s additionally no anti-aliasing filter, which is smart, since most footage might be output at a decrease decision than it is captured in (ie: 4K output from 5.7K seize).

29.97, 25, 24, 23.98p 59.94, 50p 119,88, 100p
5.8K (Full sensor peak) 17.6 ms
5.7K (1.9:1) 12.4 ms 12.4 ms
DCI 4K (1.9:1) 12.4 ms 12.4 ms 6.8 ms
UHD 4K (16:9) 13.3 ms 13.3 ms 7.3 ms

The GH6’s sensor, which we’re advised is ‘not made by the corporate everybody at all times assumes we use,’ contains a twin output achieve design. This isn’t to be confused with the switchable twin achieve sensors we have seen in an rising majority of contemporary cameras, however as a substitute is nearer to the design utilized in Arri and a few Canon cinema cameras. The sensor has two, parallel output paths and at excessive ISO settings, the output from each paths is mixed to provide each spotlight and shadow element.

Discover out extra about twin conversion achieve, twin output achieve and the way they work

In stills mode this technique is routinely used from ISO 800 upwards, whereas in video mode it’s an elective characteristic known as ‘Dynamic Vary Increase,’ which could be engaged when the ISO setting is three stops above its base setting. Dynamic Vary Increase is obtainable for video as much as 60p.

Coloration mode Base ISO Setting Dynamic Vary Increase
Commonplace modes
(inc Cinelike V2 / D2)
ISO 100 ISO 800+
V-Log / HLG ISO 250 ISO 2000+

Each V-Log and HLG modes price their base ISOs as 1.3EV increased than the opposite shade modes, which supplies a very good indication of how a lot extra spotlight seize they’re designed to accommodate.

In case you mix DR Increase mode with V-Log mode, you achieve an additional cease of spotlight seize once you attain ISO 2000, whereas in stills mode and different video modes, you solely see an enchancment in shadow efficiency. This elevated DR helps clarify how the GH6 is ready to provide full ‘V-Log.’

V Log graph LRG
The GH6’s log profile is named V-Log and makes use of a bigger chunk of the V-Log curve than the GH5’s V-LogL mode, however lower than the S1H does.

The GH6’s Log mode is named ‘V-Log,’ somewhat than ‘V-LogL’ which has been used on earlier Micro 4 Thirds fashions, to explain the truncated model of the V-Log curve that is higher suited to those cameras’ dynamic ranges. It is value noting that even cameras with the ‘full’ V-Log curve nonetheless solely use a subset of the complete curve, relying on their DR output.

Codecs

The GH6 expands the vary of compression and codec choices out there. New to the GH6 are the choice to shoot in Apple ProRes 422 HQ and 422 codecs. These are each comparatively massive All-I codecs, which has necessitated the inclusion of a CFexpress Kind B card slot. The nice advantage of ProRes is that, though it places important calls for on the digicam’s inside knowledge charges, it is very straightforward on the modifying stage, without having for transcoding.

For the extra typical MOV modes, Panasonic says it is primarily used the much less environment friendly (bigger) H.264 codec for the digicam’s 4:2:2 modes as a result of 4:2:2 H.265 decompression places a major burden on most computer systems. The 4:2:2 H.264 modes embody each All-I and Lengthy GOP choices, with H.265 used to ship Lengthy GOP 4:2:0 recordsdata that stability dimension and high quality. MOV modes of 600Mbps or under could be written to SD card.

With the v2.0 firmware replace, ProRes modes have been prolonged to incorporate 5.7K, DCI 4K and FullHD seize. This exclude 16:9 UHD 4K or the digicam’s open gate/anamorphic modes, however in any other case allows you to select the file kind you need to work with, with virtually all mixtures of body price and determination that the digicam gives.

Hand-held high-resolution mode

P1000912
Hand-held excessive res pattern. Notice the vapor path throughout the highest center of the picture has a single, sharp plane at its head.
OM System 12-40mm F2.8 PRO II | 1/100 | F4.5 | ISO 200
Picture by: Richard Butler

Many of the GH6’s largest advances come on the video aspect of the digicam, as you may count on. And, for that matter, a number of the multi-shot modes, equivalent to 6K/4K Picture and Focus Stacking that appeared in earlier GH fashions are absent. However there may be a minimum of one photograph mode value drawing consideration to, specifically as a result of it is prone to keep it up via to a extra photo-focused mannequin, if Panasonic chooses to make one.

The digicam’s 8-shot excessive decision mode, which delivers 50 or 100MP photos, now beneficial properties a hand-held mode, by which the digicam aligns and combines photos even when there’s some digicam motion between photographs. What’s fascinating is that that is mixed with Panasonic’s current movement correction processing, which means you possibly can seize 100MP photos, hand-held, even when issues transfer inside the scene.

Up to date noise discount

The GH6’s noise discount has been up to date, with what Panasonic is asking ‘2D Noise Discount,’ which goals to suppress shade noise and avoiding the graininess that would seem at increased ISO with its current system. In video that is taken additional, with the digicam analyzing motion inside the scene in order that it might distinguish between actual adjustments (motion) and temporal noise. This added dimension sees it branded as ‘3D Noise Discount.’

Autofocus

The GH6’s AF system relies round its Depth-from-Defocus system that builds up a depth map of the scene by nudging the main focus and analyzing any adjustments, primarily based on an understanding of the out-of-focus rendering of the lens.

It is backed-up by AI-trained topic recognition, with a alternative of human (torso/head/face/eye), face/eye (simply in search of faces and eyes), and Human/Animal, which spreads the web somewhat wider and acknowledges cats and canine. These choices could be set individually for stills and video mode.

Essentially, although, DFD is best the extra usually it refreshes, which suggests it really works properly in stills, the place plenty of measurements could be taken between photographs, however much less will in video, particularly at sluggish body charges and lengthy exposures, the place there is not any time to re-assess between video frames.

Different enhancements

As is common for a brand new GH mannequin, Panasonic has regarded to broaden or enhance lots of the digicam’s current features. These principally pertain to video and, whereas every change is, in itself, fairly minor, they add as much as a digicam that is simply that bit simpler to make use of.

Luminance Spot Meter
Just like the S1H and GH5 II, the GH6 will get a ‘Luminance spot meter’ perform to assist set publicity in V-Log mode, together with the flexibility to resize the waveform monitor show.

The adjustments that stood out to us have been the flexibility to achieve a magnified reside view whereas recording video (earlier GHs solely gave a magnified view earlier than recording). Additionally, anybody utilizing the Show Help mode to preview Log footage can now add their very own LUT within the industry-standard .CUBE format. Lastly, for a digicam with so many video modes, we actually appreciated the flexibility to filter or create a customized checklist of video modes for fast entry.

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Physique & controls

The physique of the GH6 appears to be like somewhat like a barely deeper model of the GH5, crossed with an S1H. From the S1H comes a second massive, purple [REC] button on the entrance of the digicam, giving easy accessibility, if the digicam is mounted in a rig that makes the top-plate button inaccessible. Additionally from the S1H comes a Lock swap on the left shoulder of the digicam, which could be configured to lock whichever mixture of buttons you need to disable.

Fan

The GH6 physique turns into the primary within the GH collection so as to add a fan. As standard for such designs, the fan blows air throughout the again of a warmth sink, and is mounted exterior the digicam’s sealing. The inclusion of a fan permits the digicam to shoot 4:2:2 10-bit 4K at as much as 60p for limitless durations. Different modes could be shot for prolonged durations, with the choice to loosen up the temperature restrictions to permit primarily limitless recording in all however essentially the most excessive circumstances.

The GH6 physique turns into the primary within the GH collection so as to add a fan.

The fan is primarily used to chill the digicam’s processor and dissipate the warmth given off by the CFexpress card. Warmth from the sensor is performed right down to the digicam’s base plate utilizing a carbon sheet.

The fan could be manually set to constantly run at a set pace or in one in every of two auto modes: one in every of which prioritizes retaining the physique cool, the opposite of which solely engages if completely mandatory.

Rear display screen

The GH6 beneficial properties a tilt/articulated 1.84M dot rear touchscreen. The panel is mounted on a fully-articulating hinge, that’s itself hooked up to a cradle that tilts up by round 30 levels or round 45 levels. This allows you to lengthen the display screen out from the again of the digicam earlier than deciding if it’s essential to flip it out to the aspect, making certain it might keep away from the digicam’s left-mounted ports.

The viewfinder is a 3.68M dot OLED panel behind optics that supply 0.76x magnification (in equal phrases).

Audio button & 4 channel audio

The highest of the GH6 beneficial properties one thing that is distinctive amongst stills/video mirrorless cameras: a button that provides direct entry to the digicam’s audio settings. Given how essential sound is to video content material, it is a genuinely helpful shortcut as you go to arrange a shot.

The GH6 additionally beneficial properties 4-channel audio capabilities, with the three.5mm mic enter offering a 2 channel/stereo enter and the prevailing, elective DMW-XLR1 adapter can be utilized to supply one other two inputs. The digicam’s inside mics can seize 48kHz, 24-bit audio, with exterior mics additionally in a position to seize at as much as 96kHz.

All 4 channels of audio are output over HDMI.

Further Fn button

Whereas the button format of the GH6 very carefully matches that of the earlier technology of cameras, it does discover room for an additional Fn button on the entrance of the digicam. By default, that is used to provide a magnified view, which is now maintained whereas the digicam is capturing video. This and the 2 [REC] buttons are among the many 13 customizable buttons on the digicam’s physique.

As regards to button utilization, the digicam’s ‘Focus Transition’ mode, by which you pre-define particular focus distances, then inform the digicam to drive the lens between them, whereas recording, has been made much less fiddly by utilizing the WB, ISO and Exp Comp. buttons to arrange these focus distances. Sadly these buttons cannot be used to drive the main focus between these presets, throughout recording.

Battery

The GH6 makes use of the identical DMW-BLK22 because the Panasonic S5. It is a 16Wh unit, that is sufficient to energy the digicam to a CIPA score of 360 photographs per cost when used with SD playing cards and the 12-60mm F2.8-4. This quantity decreases round 10% when you use CFexpress playing cards. As standard, these numbers might considerably underestimate what number of photographs you may get throughout typical use, however are broadly comparable throughout cameras. 360 photographs per cost is an effective, although not nice, quantity. Participating power-save mode greater than doubles this determine.

Regardless of the bigger battery, this quantity is round a 15% discount, in contrast with the GH5 Mk II. In video, this distinction turns into obvious, and is exacerbated by the extent to which the fan must function. The older BLF19 batteries may also be used however some high-speed modes are disabled.

The digicam could be each powered and operated over its USB kind C socket, when you’ve got a PD-rated energy supply that may ship 9V, 3A.

In contrast to earlier GH fashions, there is not a battery grip out there for the GH6.

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Video capabilities

As you’d count on, the GH6 has a various and in depth vary of video capturing modes and help options. We’ll have a look at the primary decision modes provided and the capabilities provided inside every.

Fortunately, the GH6 contains instruments first launched on the S1H, letting you filter its out there modes (by body price, decision, codec or compatibility with variable body price mode), it additionally gives the ‘My Listing’ possibility, that lets you choose the modes you propose to make use of on a venture and solely see that checklist of modes. This prevents inadvertent collection of similar-looking modes, and ‘Rec High quality (My Listing)’ could be assigned to a button to permit fast entry to your favored capturing modes.

As you’d count on, the GH6 has a various and in depth vary of video capturing modes and help options.

The overwhelming majority of the digicam’s high-speed video modes can be found as ‘Excessive Body Charge’ modes that seem amongst the usual video choices and provide autofocus, audio seize and playback on the price the have been shot. It is solely actually the 300 fps Full HD mode that has to be shot in Variable Body Charge (VFR) mode, which is recorded on the slowed-down price of your alternative.

Autofocus is obtainable in all however the quickest excessive body price modes. Autofocus throughout FullHD seize at 200 and 240p is restricted to 13 of Panasonic’s personal lenses, with firmware updates including an additional three lenses to the checklist in March 2022, however for many modes and most lenses, AF with monitoring is feasible.

5.7K

The GH6’s 5.7K functionality captures the complete width of the sensor, in a 17:9 facet ratio. This both means that you can pan and punch-in, within the edit. Alternatively it provides you the footage within the natively-captured decision, providing you with extra modifying choices when you’re modifying for a number of output resolutions.

Format Body price Chroma Comp. Codec Bitrate (Mbps) VFR Card kind
ProRes 422HQ 4:2:2 All-I ProRes 1903 CFe solely
1587
1524
1522
ProRes 422 1268
1058
1016
1015
MOV 4:2:0 Lengthy GOP H.265 300 CFe / SD
200 Sure

C4K/UHD

The core capabilities of the digicam are its 4K choices, all of which can be found throughout each 16:9 UHD and 17:9 DCI facet ratios.

Apart from the essential MP4 recordsdata, not listed right here, each output mode of the GH6 is 10-bit. It could possibly shoot 4:2:0 4K footage at as much as 120p and 4:2:2 footage at as much as 60p.

ProRes 422 and 422 HQ help for DCI 4K as much as 60p arrived with firmware v2.0.

Decision Body Charge Chroma Comp. Codec Bitrate (Mbps) VFR Card kind

DCI (4096 x 2160)

or

UHD (3840 x 2160)

4:2:0 LongGOP H.265 300 CFe or SD
4:2:2 All-I H.264 800 CFe solely
600 CFe or SD

LongGOP

.

200

4:2:0 H.265 Sure
4:2:2 All-I H.264 400

LongGOP

.

150
4:2:0 H.265 Sure

5.8K / 4.4K Anamorphic

The GH6 can shoot open-gate, 4:3 footage from its whole sensor. This can be utilized to allow you to pan or punch-in through the edit, or to supply scope for digital stabilization. Alternatively, it may be mixed with an anamorphic lens, placing the utmost attainable decision behind the lens, to provide the best-looking outcomes when de-squeezed out to widescreen format.

In case you want body charges quicker than 30p, the digicam gives a smaller, 4352 x 3264 crop for 48, 50 or 60p seize.

Decision Body Charge Chroma Comp. Codec Bitrate (Mbps) VFR Card kind
5.8K
(5760 x 4320)
4:2:0 LongGOP H.265 200 CFe or SD
4.4K
(4352 x 3264)
300

The total sensor area of the GH6 is similar to what you’d get by taking a 4:3 crop from a Super35 (APS-C) digicam’s 16:9 video. Nonetheless, whereas this could ship comparable noise efficiency, we won’t consider an APS-C digicam that captures the 7.7K video that may be wanted to ship comparable decision from such a crop.

Even when you did discover such a digicam, the GH6 additionally gives a desqueezed preview to provide a extra understandable means of framing your photographs, and has stabilization modes that adapt to the truth that your lens has completely different efficient focal lengths in its horizontal and vertical axes, which is a stage of help you may discover onerous to duplicate.

1080 (FullHD)

Alongside the push in high-res modes, the GH6’s 1080 modes get a lift, too. The GH6 can shoot 1080 at as much as 240p in 10-bit mode, and as much as 300p when you use Variable Body Charge mode (no AF, no audio).

The vary of FullHD video modes is immediately comparable with that of the 4K choices, with a alternative of 4:2:2 H.264 modes in All-I or LongGOP kinds, or 4:2:0 H.265 LongGOP seize.

The two.0 firmware has added the flexibility to shoot ProRes 422 or 422 HQ Full HD at as much as 60p.

HDMI output

The power to output 4K 120p over HDMI throughout reside view is promised in a future firmware replace, with the HDMI interface being formally raised to V2.1 specification. The HDMI commonplace limits 4K video to 4096 x 2160 pixels, so that is the decision output when the digicam is working in 5.7K mode. Taking pictures the digicam in 4:3 facet ratio modes (5.8K and 4.4K) ends in the video being delivered as 2880 x 2160 footage.

Panasonic says it would additionally develop into attainable to output a 4K/120 Uncooked stream for Atomos recorders (one thing that sits exterior the HDMI commonplace).

SSD direct recording

Additionally promised in future firmware is the flexibility to output video on to an exterior SSD. The GH6 has a USB 3.2 Gen 2 (10Gbps) interface, which comfortably exceeds the calls for of ProRes 422 HQ seize.

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Picture high quality

Studio Scene

Our check scene is designed to simulate quite a lot of textures, colours and element varieties you may encounter in the true world. It additionally has two illumination modes to see the impact of various lighting circumstances.

Wanting on the GH6’s element ranges, they’re primarily not possible to differentiate from its 20MP friends (which is to be anticipated: 25MP solely represents an 11% enhance in linear decision). Even this small enchancment is risked as a result of the somewhat disappointing magnified reside view on the GH6 makes advantageous focus extraordinarily tough.

By way of noise, the brand new sensor performs comparably with the one within the G9. This implies it falls somewhat behind the chip within the OM-1 at very excessive ISOs, however there is not any apparent low-light draw back for the change in sensor maker or design.

JPEG element is superb, with delicate sharpening bringing out, however not over-emphasizing, advantageous element, which means that advantageous pure textures are convincingly represented.

Default JPEG shade appears to be like good. There is a trace of magenta to the central pink patch and a touch of inexperienced to the yellow, however each are sufficiently subtle that we would need to examine whether or not they have any impression on real-world photos.

JPEG element is superb, with delicate sharpening bringing out, however not over-emphasizing, advantageous element…

Noise ranges are properly managed at increased ISOs however that comes at the price of element and texture being misplaced to noise discount. Total, it performs very equally to its fast friends.

The 100MP pixel shift excessive decision mode appears to be like superb, even when downsized again to a decrease decision. The multi-shot nature brings the anticipated enchancment in noise and tonal high quality you’d count on of a number of sampling. Sadly our favourite stills mode (the primary hand-held excessive res mode with movement correction) cannot be shot utilizing our studio tripod setup.

Dynamic Vary

Taking a look at dynamic vary, we see a unique story. Our dynamic vary exams present considerably extra deep shadow noise (a results of digital ‘learn’ noise) than we have develop into used to seeing in trendy sensors. This discount in dynamic vary provides you much less scope for tonal edits, decreasing the digicam’s capability to seize high-contrast scenes.

Examine the GH6 with the OM-1 shot on the similar publicity, and you will see much more noise within the shadows.

Issues considerably improves from ISO 800 upwards, when the DR Increase mode kicks in, bringing it again into line with its friends. You aren’t getting the additional cease of spotlight seize that DR Increase provides in V-Log video mode, simply cleaner deep shadows. From a stills perspective, it is a disappointing efficiency, with recordsdata which are noticeably much less versatile than the GH5 II, for example.



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Autofocus

As is the case with most trendy cameras, Panasonic’s AF system has develop into fairly advanced as increasingly more space modes have been added, to deal with various kinds of topic. The GH6 does a fairly good job of including its newest modes and additions with out making issues an excessive amount of extra advanced.

GH6 AF modes
The GH6 gives seven various kinds of AF space mode, to which topic detection could be added. The three topic modes are: Human, Face/Eye and Human/Animal.

The digicam provides you a alternative of space modes, plus a monitoring possibility, then allows you to resolve whether or not to activate human or animal topic detection modes, that are then utilized in relation to the kind of AF space you have chosen. We have discovered each programs to be superb at recognizing their topics and really ‘sticky’ as soon as they’ve.

Efficiency

The GH6 makes use of depth-from-defocus: a system that adjusts focus and builds a depth-map from the adjustments prompted by that change in focus. This helps the digicam get near being in-focus earlier than fine-tuning utilizing the iterative distinction detection method.

P1022896
The GH6 does an amazing job of monitoring topics (particularly people), and customarily does a very good job of driving focus to the right place. It will not ship pro-sports-camera ranges of consistency, although.

In stills pictures it might work very properly: the quick sensor readout means the system can reply shortly to actions and, when used with Panasonic’s personal lenses, delivers a very good hit-rate. There’s some flutter within the viewfinder because the lens is consistently attempting to find and checking focus, however the finish photos are typically targeted the place you need them to be. We have discovered our success-rate to be decrease when utilizing different manufacturers’ Micro 4 Thirds lenses, which may’t make full use of the DFD system.

Video autofocus

Considerably mockingly, for such a video-focused digicam, it is video seize the place the largest drawbacks within the focus system develop into obvious. Its must barely over and under-shoot to seek out focus is seen within the ensuing footage, and though it is way more steady than older fashions, the digicam will sometimes should hunt to re-confirm its focus place, which once more means some pulsing and flutter will seem in your recording.

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Video efficiency

By Jordan Drake

Video high quality

The DR Increase mode is arguably the largest improve of the GH6 over earlier GH fashions. This should be manually enabled, and will increase the minimal out there ISO by three stops (Leaping from 100 to 800 in most modes or 250 to 2000 in V-Log and HLG). When mixed with the V-Log gamma setting, this delivers an additional cease of highlights, giving over a cease extra dynamic vary than GH our bodies have beforehand provided. When coping with extraordinarily contrasty conditions, we really feel that the dynamic vary advantage of DR Increase is totally worthwhile. Nonetheless, in case your scene’s distinction could be seize with out enabling DR increase, the usual base ISO will lead to cleaner shadows and midtones. Ensure to double examine whether or not or not DR Increase is enabled when metering a scene to make sure finest outcomes.

The Panasonic GH6 is able to capturing very detailed video in an enormous number of resolutions and body charges. The oversampled 4K recording at commonplace framerates is aggressive with equally video-focused fashions but it surely’s at excessive body charges equivalent to 4K/120p the place the GH6 captures considerably extra element than all its fast rivals. In case you want a digicam to seize advantageous particulars at excessive pace, the GH6 is one in every of finest cameras out there. Simply keep in mind that in difficult lighting conditions 4K/120p and excessive pace 1080p seize is not going to help you use the DR Increase mode for prolonged spotlight seize.

When mixed with the V-Log gamma setting, [DR Boost] delivers an additional cease of highlights as properly, giving over a cease extra dynamic vary than GH our bodies have beforehand provided.

When utilizing the 5.8K ‘open gate’ recording, the picture is considerably sharper than even the flagship full body S1H, as a result of lack of an AA filter. This makes the choice of cropping in on 5.8K 4:3 or 5.7K 17:9 footage much more helpful.

Uncooked video recording is feasible with an exterior Atomos Ninja video recorder, with a Ninja V+ required for five.7K/60p and 4.4K/120p recording. As we’ve come to count on from Panasonic, this offers you considerably extra flexibility when adjusting white stability or the extent of noise discount, however the preliminary seize is way noisier than even inside recording with noise discount on the lowest setting.

Rolling shutter efficiency is great, with figures that compete with the perfect of its friends. That is particularly spectacular contemplating that all the 4K modes are considerably oversampled. Rolling shutter artifacts can definitely nonetheless happen, however are significantly better managed than different cameras close to its value.

Panasonic GH6 Canon EOS R5 Sony a7S III / FX3 Panasonic S1H
4K/24p
DCI / UHD
12.4 / 13.3
(o/s from 5.7K)
15.4 / —
(o/s from 8K)
— / 8.7ms 24.2 / 25.7
(o/s from 6K)
4K/60p
DCI / UHD
12.4 / 13.3
(o/s from 5.7K)
9.6 / —
(pixel binned)
— / 8.7ms 13.8 / —
(1.5x crop)
4K/120p
DCI / UHD
6.8 / 7.3*
(o/s from 5.7K)
7.7 / — *
(pixel binned)
— / 7.6ms
(1.1x crop)
— / —

*Sooner readout implies decrease bit-depth readout

Whereas low mild efficiency continues to be restricted by the smaller sensor, in most different regards (dynamic vary, sharpness, rolling shutter) picture high quality is corresponding to way more costly hybrid cameras, and will definitely meet the wants of {many professional} videographers and cinematographers.

Video Dealing with

By way of bodily controls for video shooters, the GH6 is among the finest cameras we’ve ever examined. Each management is logically laid out, and the addition of a file button within the entrance makes it far simpler for creators filming themselves, or when utilizing a video cage. The devoted audio button and corresponding audio menu is a good concept that appears lengthy overdue on hybrid cameras. The versatile tilt/articulating display screen (which now not requires a difficult-to-operate swap) is essentially the most elegant design we’ve seen, permitting full articulation whereas retaining the LCD away from any linked cables. All dials have a pleasant resistance to maintain you from unintentionally altering publicity, and the locking mode retains you from unintentionally drifting off the ‘Guide Film Mode’ the place the digicam is prone to spend a lot of its time.



Our main grievance with the interface considerations switching to excessive framerate modes when DR Increase is enabled. It’s not suitable with excessive pace modes like 4K/120p and 1080/240p HFR. Switching to one in every of these high-speed modes requires a person to manually disable ‘Increase DR’, and it’s straightforward to overlook to re-engage it when leaving excessive framerate recording modes. We really feel that that the digicam ought to routinely disabled DR Increase when choosing a excessive framerate mode, ideally with a warning that dynamic vary might be decreased. Upon returning to slower framerates, DR Increase ought to return to its earlier setting. This is able to save time, and reduce the potential of being within the fallacious DR Increase mode when switching framerates. Fortuitously, this might be a firmware repair, one thing Panasonic has a unbelievable historical past with.

A full-sized HDMI socket and a display screen that does not conflict with the headphone socket: it is virtually as if Panasonic checked how videographers would want to make use of the digicam.

The opposite main concern we have now with the video capturing expertise is the standard of the ‘punch-in’ capability. The picture is sort of tender and low-resolution, which makes figuring out focus (particularly at smaller apertures) extraordinarily tough. That is noticeable in each stills and video, and makes the in any other case welcome capability to punch-in whereas rolling a bit underwhelming. This is able to be pretty minor problem, besides that the shortage of top-notch autofocus means most GH6 shooters are prone to rely upon guide focus continuously.

Video Stabilization

Stabilization within the GH6 has improved to a CIPA rated 7.5 stops when utilizing supported Panasonic lenses. The tough half is, a CIPA score doesn’t inform you how the stabilization will look when recording video. Many extremely CIPA rated stabilization programs can have a jerky look because the IBIS fights the motion of the digicam.

Since its introduction within the GH5, we’ve been very impressed with the Twin IS mode the place the digicam’s IBIS cooperates with the lens’ stabilization system. Pans and tilts are very easy, and strolling footage nonetheless has pure bounce, however is properly managed. The GH6 performs even higher on this regard, and makes a very good argument for getting the digicam with the Panasonic Leica 12-60mm F2.8-4 equipment lens, only for the Twin IS help.

Surprisingly, although, the largest change we noticed was when utilizing lenses with out stabilization, or with unsupported stabilization programs. The stabilization when utilizing the Panasonic/Leica F1.7 zoom duo, or Olympus lenses, is significantly improved. Upon seeing the outcomes, we shot an entire episode in Germany primarily handheld with the 12-25mm F1.7 & 25-50mm F1.7, and have been impressed with the end result. We might nonetheless contemplate Olympus/OMDS’s Sync IS system to have a slight edge, however when utilizing unstabilized or unsupported lenses, I might contemplate the GH6 equally efficient for video shooters.


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Conclusion

What we like What we do not
  • Wonderful video high quality
  • Huge vary of video choices
  • In depth video help instruments
  • Wonderful picture stabilization
  • Fan gives dependability
  • DR Increase + V-Log delivers spectacular recordsdata, particularly in difficult mild
  • Movement correction makes hand-held high-res mode way more helpful
  • Fast entry to audio settings
  • 4-channel audio possibility
  • Only a few body price/decision/codec restrictions
  • Nonetheless picture DR is disappointing under ISO 800
  • Battery life noticeably shorter than predecessor
  • Magnified reside view by no means very detailed (stills or video)
  • Awkward to should disengage and reengaging DR Increase to make use of excessive pace modes
  • Low ISO footage with out DR Increase mode is a contact behind that from the GH5

The GH6 is, in lots of respects, the standard spectacular continuation of the GH line of cameras. As we have come to count on, it expands the vary of decision and high quality choices provided in video, and provides options equivalent to four-channel audio seize and built-in cooling to make it a extra credible and reliable video manufacturing than ever.

Even within the face of more and more fierce competitors from the likes of Sony’s a7S III, Canon’s EOS R5C (and even Fujifim’s X-H2S, to an extent), the GH6 gives a well-specced, properly thought-out steady capturing platform that may adapt to a variety of video capturing eventualities. Panasonic has continued to build-out the characteristic set and refine the person interface, with good particulars equivalent to fast entry to audio settings.

Autofocus continues to be one thing of a weak spot for the digicam. Its topic monitoring modes do a very good job of figuring out and following their supposed targets, and in stills mode the hit-rate could be very excessive (significantly with absolutely DFD-compatible own-brand lenses). However in video, there’s nonetheless some flutter, wobble and uncertainty that may seem in your footage, significantly when you’re capturing at 23.98/24p.


avatar 70x70 jordan drake
Jordan Drake
Reviewer

The GH6 capturing expertise caters to the wants of execs, whereas taking full benefit of the advantages of a hybrid mirrorless design. The inclusion of ProRes recording, waveforms, vector scopes, shutter angles and built-in fan are options we’d often solely count on from a cinema digicam. Nonetheless, the compact dimension, picture stabilization and intelligent pictures options take full benefit of the mirrorless format.

Panasonic has additionally acknowledged the restrictions of Micro 4 Thirds and labored to attenuate them. The DR Increase mode will increase the GH6’s dynamic vary over what we’ve seen earlier than with 4 Thirds sensors, and when paired with the Panasonic/Leica F1.7 zooms you possibly can obtain shallow depth of discipline and lightweight gathering corresponding to APS-C and even approaching some full body digicam our bodies.


Our largest concern, although, is the sensor. In stills mode it falls a minimum of a cease behind its predecessor by way of dynamic vary. This deficit is made up from ISO 800, when the DR Increase mode kicks in, however this makes it a way more restricted photograph digicam than earlier GH fashions, regardless of the promise of the motion-corrected hand-held multi-shot mode.

Issues are somewhat extra constructive in video mode, the place you are unlikely to be utilizing the deep shadows (and the place most modes might be making use of the digicam’s highly effective noise discount). Base ISO efficiency is stable sufficient and the additional cease of highlights you get (with DR Increase and V-Log mode) three stops above base imply that you’ve a digicam that may proceed to ship good ends in tougher lighting. However it does seem the un-boosted efficiency is not fairly on the stage we have develop into used to, so there seems to be a trade-off for this wider working envelope.

Focus Limiter Framegrab
For setups equivalent to interviews, the place the topic is simply prone to transfer to a small diploma, the GH6’s in-menu, configurable focus limiter can cease something going badly fallacious, however there’s nonetheless the chance of slight focus pulsing or flutter.

There are cameras that may match a number of the GH6’s options, whether or not by way of providing ProRes seize, 4K/120 or fan-cooled dependability, however there is not one that gives all of those collectively, together with large cross-mode consistency (you possibly can shoot nearly each decision and body price within the codec, bit-depth and bitrate that fits your wants).

The GH6 is the type of production-standard powerhouse we have come to count on from the collection, however we’re undecided Panasonic’s large gamble on a unique sensor design delivers the pay-off it was clearly hoping for. It is a excellent video digicam however whereas it does carry some thrilling new photographic tips to the desk, general it is a much less succesful hybrid digicam than its forebears.

Scoring

Scoring is relative solely to the opposite cameras in the identical class. Click on right here to find out about what these numbers imply.


In comparison with its friends

The Sony a7S III has a considerably bigger full body sensor and a price ticket that is 60% increased however its video focus and close to full-width 4K/120p functionality make it a pure competitor for the GH6. Just like the GH6, it has sacrificed some photographic functionality, primarily by way of decision, with the intention to be a extra succesful video software.

The a7S III boasts a way more dependable section detect and topic monitoring system which has persistently impressed us. Additionally, it has a higher-res 9.44M dot (2048 X 1536px) EVF, is smaller and lighter and sports activities matched twin CFexpress A/SD card slots, permitting redundant recording at any decision, framerate and codec.

The Panasonic GH6 delivers extra detailed 4K video, increased decision 5.7/5.8K recording choices as a consequence of its increased decision sensor, and anamorphic help. The choice of recording inside ProRes will enchantment to professionals who require a universally editable skilled recording format. We additionally discovered the picture stabilization and ergonomics superior on the GH6, and its fan cooling provides higher dependability.

You can too take a look at the Sony FX3, which sacrifices the a7S III’s glorious EVF for a in-built fan, tally lamps, a number of 1/4″ mounting factors and a a number of extra Log profiles.

The total body Canon EOS R5 C cinema digicam takes the sensor and core design of the Canon R5, however provides a fan to mitigate the much-discussed overheating points. It could possibly file 8K video: means above the GH6’s most 5.8K 4:3 mode, however prices at round twice the value.

The R5C gives most of the similar skilled help instruments like waveforms, however provides inside uncooked video recording and Canon’s properly regarded DPAF system. It additionally cleverly adopts the Cinema EOS interface when in video mode, however photo-focused EOS shows when capturing stills. Nonetheless, it sacrifices IBIS in trade for all these video additions.

The GH6 bounces proper again with much less rolling shutter in its oversampled 4K modes, extra detailed 4K/120p, and full sensor anamorphic help. It additionally gives the IBIS that the R5C lacks.

The APS-C Fujifilm X-H2S additionally stands as an fascinating different at the same value, however we’ll wait till we have extra extensively examined it earlier than making remaining judgements.

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